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Magazin","/crisp-magazine",[],{"id":143,"name":144,"link":145,"linkIsBlank":9,"outsideLink":9,"published":10,"type":11,"items":146},"e3b8f31c-1ca4-4eff-8302-4192deb8b2a6","Kontakt","/contact",[],{"id":148,"name":149,"artistName":8,"slug":150,"description":151,"introtext":152,"supportText":153,"seoDesc":154,"roles":155,"tel":151,"email":161,"onlyUseLayoutEditor":8,"createdBy":162,"crew":170,"attributes":171,"address":8,"portraitImage":190,"exhibitions":198,"artworks":297,"featuredArtworks":918,"selectedArtworks":933,"videos":946},"5ed506c233aaaa36d6d177a0","Von Silberland","von-silberland","","\u003Cp>Der Name Von Silberland weist darauf hin, dass der Künstler ursprünglich aus Argentinien kommt (Argentina, lateinisch: Silberland). 1988 in Buenos Aires geboren, setzte sich Von Silberland zu Beginn intensiv mit Musik auseinander. Anschließend kam er nach Deutschland, um Freie Kunst zu studieren. An der Akademie der Bildenden Künste Karlsruhe schloss er sein Diplom (2018) wie auch seinen Meisterschulabschluss (2019) bei Markus Vater ab. Hauptmerkmal seines Werkes sind fotografische Studien, die sich an der Schnittstelle von Absurdität, Humor und Ernsthaftigkeit bewegen. Von Silberland lebt und arbeitet in Karlsruhe. \u003C/p>","\u003Cp>Hochwertige Objekte mit künstlerischem Wert können zu einem niedrigen Preis erworben werden. Sie wurden von den Künstler*innen kreiert und ausgewählt. Wir nennen sie „Atofakte“\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>Ein Atofakt kann man ab einem Betrag von 50 € bestellen, 85 % des Erlöses gehen direkt an die Künstler*innen. Dies ermöglicht Euch die künstlerische Arbeit zu unterstützen, ohne ein Kunstwerk zu kaufen.\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>Bitte gebt bei eurer Anfrage den gewünschten Betrag (ab 50 €) an.\u003C/p>","Der Künstler von Silberland studierte an der Akademie der Bildenden Künste Karlsruhe und wird von ato vertreten. ",[156,157,158,159,160],"artist","editor","media-editor","user","edit-artists","vonsilberland@gmail.com",{"id":163,"name":164,"slug":165,"portraitImage":166,"email":168,"tel":169},"5debb2065fdaea3dc45783da","Norina Quinte","norina-quinte",{"id":167},"61d8237dbf2c3f52dcad1f7e","quinte@ato.vision","+49 (30) 75439370",{"links":151},[172,185],{"title":151,"content":173},[174,176,179,182],{"entryDate":151,"entryValue":175},"Von Silberland lebt und arbeitet in Deutschland",{"entryDate":177,"entryValue":178},"2019","Meisterschüler bei Markus Vater und Magnus Plessen | Akademie der Bildenden Künste | Karlsruhe",{"entryDate":180,"entryValue":181},"2018","Diplom, Freie Kunst, bei Markus Vater | Akademie der Bildenden Künste | Karlsruhe",{"entryDate":183,"entryValue":184},"1988","geboren in Buenos Aires",{"title":186,"content":187},"Ausstellungen (Auswahl)",[188],{"entryDate":177,"entryValue":189},"\u003Cp>\u003Cem>der Blick der Jungen\u003C/em> | Altes Dampfbad | Baden Baden\u003C/p>\u003Cp>\u003Cem>TOP 19\u003C/em> | Städtische Galerie Karlsruhe | Karlsruhe\u003C/p>\u003Cp>\u003Cem>Verkaufe gelbes U-Boot, selten benutzt\u003C/em> | Luis Leu | Karlsruhe\u003C/p>\u003Cp>\u003Cem>Profile\u003C/em> | Blech | Halle an der Saale\u003C/p>",{"id":191,"path":192,"aspectRatio":193,"mediaType":194,"filename":195,"copyrightText":196,"copyrightLink":197},"667422a441ce51e7922064b3","LrVnWvWjd-julianvonsilberlandv.jpg","1.4997000599880024","image/jpeg","LrVnWvWjd-julianvonsilberlandv","Sebastian Heck","https://ato.vision/crew/sebastian-heck",{"past":199,"current":295,"upcoming":296},[200,212,224,234,246,258,271,283],{"id":201,"title":202,"slug":203,"description":204,"vernissage":205,"finnissage":206,"poster":207},"5ec8163e33aaaa36d6d17790","SOLO – IM JUNI: VON SILBERLAND","solo-im-juni-von-silberland","\u003Cp>\u003Cbr>\u003C/p>\u003Cp>ORT\u003C/p>\u003Cp>Kaiserstraße 53, Karlsruhe\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>BESUCHSZEITEN: \u003C/p>\u003Cp>Samstags 15-20h Kunst und hand-selected patatoe \u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>In den kommenden Monaten räumt ato.black das temporäre Büro in der Karlsruher Kaiserstraße und macht Platz für Kunst und Künstler*innen. \u003C/p>\u003Cp>Unter dem Namen SOLO wird ab Juni eine Reihe lanciert, die es Künstler*innen ermöglicht im Stadtbild präsent zu sein und gleichzeitig kostenfreien Freiraum bietet. \u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>An eigens festgelegten Tagen öffnet der/die jeweilige Künstler*in seinen/ihren temporären Ausstellungsraum und ermöglicht es Besucher*innen durch Einzel-Slots, künstlerischen Prozess auf intime Weise zu erleben. So können Besucher*innen den Aufbau einer Rauminstallation oder Ausstellung Stück für Stück, über mehrere Tage oder Wochen hinweg begleiten und bekommen die Gelegenheit, mit den jeweiligen Künstler*innen in Dialog zu treten. \u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>Der Name SOLO spielt zum einen bewusst mit der in der Kunstszene etablierten Begrifflichkeit der „Solo Exhibition“, verweist aber auch gleichzeitig auf die neue Rolle der Betrachter*innen, die sich (gezwungenermaßen) alleine dem Werk und der Künstlerperson im Ausstellunsgraum stellen werden. \u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>ato denkt Strukturen innerhalb des Kunstfeldes neu. Im Kollektiv zeigen wir Kunst und vermitteln Verkäufe und Kooperationen.\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Ch3>\u003Cstrong>IM JUNI : VON SILBERLAND\u003C/strong>\u003C/h3>\u003Ch4>THE PRIVATE POTATOE COLLECTION (2020)\u003C/h4>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>\u003Cem>Die Idee ist beim Kochen während der Corona Zeit entstanden.\u003C/em>\u003C/p>\u003Cp>\u003Cem>Ich habe meine Oma gefragt wie man eine Spanische Tortilla macht. Etwas was ich irgendwie vermisse. Langsam fange ich an, meine Familie zu vermissen.\u003C/em>\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>\u003Cem>Im Supermarkt habe ich mir verschiedene Kartoffeln angeschaut. Ich fand Kartoffeln immer irgenwie humorvoll. Die Kartoffel hat einfach hummor. Sellerie eher nicht.\u003C/em>\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>\u003Cem>Ich habe dann beim Waschen daran gedacht, wie das ganze mit der Ernte funktioniert. Irgendwie ähnlich wie die Entwicklung einer Idee.\u003C/em>\u003C/p>\u003Cp>\u003Cem>Portraits von Kartoffeln, die Kartoffel als grafisches Element, der Drucker, die Arbeit die gedruckt wird und geerntet wird. Ich hätte es auch mit einer Karotte machen können, aber ich wollte damals Spanische Tortilla essen.\u003C/em>\u003C/p>","2020-06-01","2020-06-30",{"id":208,"path":209,"aspectRatio":210,"mediaType":194,"filename":211},"5ec8151233aaaa36d6d1778f","il-6SsRwG-vonsilberland.jpg","1.779324055666004","il-6SsRwG-vonsilberland",{"id":213,"title":214,"slug":215,"description":216,"vernissage":217,"finnissage":218,"poster":219},"616017f7b9506c39403fefcc","Never take candy from strangers","never-take-candy-from-strangers","\u003Cp>Mit seiner aktuellen, gleichnamigen Werkserie betritt VON SILBERLAND neues künstlerisches Terrain. Arbeitete er bisher vorwiegend fotografisch, überführt der Künstler nun händische Zeichnungen in digitale Bildwelten. Der Titel „Never take Candy from strangers“ ist auf Kindheitserinnerungen des in Argentinien aufgewachsenen Von Silberland zurückzuführen und bildet den Ausgangspunkt seiner Formensprache.\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>Bespielt wird das oberste Geschoss eines ehemaligen Umspannwerks (\u003Ca href=\"http://www.christiania.de/\" rel=\"noopener noreferrer\" target=\"_blank\" style=\"color: rgb(255, 243, 231);\">\u003Cstrong>Kreativzentrum Christiania e.V.)\u003C/strong>\u003C/a> in Berlin Wedding. \u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>Das Dachgeschoss, das erstmals für eine Ausstellung zur Verfügung steht, wird am Wochenende vom 05.-07. November zu einer einladenden Plattform mit vielfältigem Rahmenprogramm über den Dächern Berlins.\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>ADRESSE:\u003C/p>\u003Cp>Osloerstr. 17, 13359 Berlin\u003C/p>\u003Cp> \u003C/p>\u003Cp>Fr 05.11. ab 18 Uhr\u003C/p>\u003Cp>Musik von Sebastian Heck und \u003Ca href=\"https://soundcloud.com/itsmerubi\" rel=\"noopener noreferrer\" target=\"_blank\" style=\"color: rgb(255, 243, 231);\">\u003Cstrong>Rubi\u003C/strong>\u003C/a>, Drinks von \u003Ca href=\"https://parspralinen.com/de/\" rel=\"noopener noreferrer\" target=\"_blank\" style=\"color: rgb(255, 243, 231);\">\u003Cstrong>Pars\u003C/strong>\u003C/a>, Organisation und Kuration von ato.\u003C/p>\u003Cp> \u003C/p>\u003Cp>Ausstellung geöffnet:\u003C/p>\u003Cp>So 07.11. - Mo 08.11., 14-18 Uhr\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>Es ist eine 2G-Veranstaltung. Besucher:innen müssen eine vollständige Impfung oder zertifizierte Genesung nachweisen und sich vor Ort registrieren.\u003C/p>","2021-11-05","2021-11-08",{"id":220,"path":221,"aspectRatio":222,"mediaType":194,"filename":223},"6164363c9124372e7aa8077a","YS5OLD-d3-candy-vernissage-webseite.jpg","1.8691298342541436","YS5OLD-d3-candy-vernissage-webseite",{"id":225,"title":226,"slug":227,"description":228,"vernissage":229,"finnissage":229,"poster":230},"61601906b9506c39403fefce","Kulinarische Intervention","kulinarische-intervention","\u003Cp>Als besonderes Highlight der Ausstellung \"Never take candy from strangers\" wird die ato Künstlerin und Gründerin von \u003Ca href=\"https://parspralinen.com/\" rel=\"noopener noreferrer\" target=\"_blank\" style=\"color: rgb(255, 243, 231);\">parspralinen\u003C/a> \u003Ca href=\"/artists/kristiane-kegelmann\" rel=\"noopener noreferrer\" target=\"_blank\" style=\"color: rgb(255, 243, 231);\">Kristiane Kegelmann\u003C/a> in einer kulianrisch, künstlerischen Intervention auf die Arbeiten von \u003Ca href=\"/artists/von-silberland\" rel=\"noopener noreferrer\" target=\"_blank\">VON SILBERLAND\u003C/a> antworten.\u003C/p>\u003Cp> \u003C/p>\u003Cp>Es wird ein 5-Gang Menü geben welches performativ dargereicht wird. In den 4,5 Stunden wird mit den klassichen Normen und Ab\u0002läufen eines Dinners gespielt sowie auf den Ausstel\u0002lungstitel \"Never take candy from strangers\" eingegangen.\u003C/p>\u003Cp> \u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>SA 06.11., 18.30 - 23 Uhr\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>\u003Cstrong style=\"color: rgb(255, 243, 231);\">Preis pro Person:\u003C/strong>\u003C/p>\u003Cp>\u003Cspan style=\"color: rgb(255, 243, 231);\">68 € inkl. 5-Gänge Menü und Künstler:innenhonorar (zusätzl. Weinbegleitung 35 €)\u003C/span>\u003C/p>\u003Cp>\u003Cstrong style=\"color: rgb(255, 243, 231);\">Teilnehmer:innenanzahl ist begrenzt, Anmeldung unter:\u003C/strong> \u003C/p>\u003Cp>\u003Ca href=\"https://www.rsvp-popup.com/popups/never-take-candy-from-strangers-berlin\" rel=\"noopener noreferrer\" target=\"_blank\" style=\"color: rgb(255, 243, 231);\">\u003Cu>https://www.rsvp-popup.com/popups/never-take-candy-from-strangers-berlin\u003C/u>\u003C/a>\u003C/p>\u003Cp>\u003Cstrong style=\"color: rgb(255, 243, 231);\">Musik:\u003C/strong>\u003Cspan style=\"color: rgb(255, 243, 231);\"> \u003C/span>\u003C/p>\u003Cp>\u003Cspan style=\"color: rgb(255, 243, 231);\">Nicolas Böttger und DJ Deichgraf\u003C/span>\u003C/p>\u003Cp> \u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>Die Lebensmittel werden ausschließlich von regional, biologischen Kleinstlieferanten bezogen. Der Preis beinhaltet zudem ein Honorar für die Künstler:innen Kristiane Kegelmann und VON SILBERLAND. \u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>Es ist eine 2G-Veranstaltung. Teilnehmer:innen müssen eine vollständige Impfung oder zertifizierte Genesung nachweisen und sich vor Ort registrieren.\u003C/p>","2021-11-06",{"id":231,"path":232,"aspectRatio":222,"mediaType":194,"filename":233},"616435fd9124372e7aa80779","mtuix8VYx-candy-dinner-webseite.jpg","mtuix8VYx-candy-dinner-webseite",{"id":235,"title":236,"slug":237,"description":238,"vernissage":239,"finnissage":240,"poster":241},"61eeb61de4ab0b594960fcd5","NEVER TAKE CANDY FROM STRANGERS, Einblick 1","never-take-candy-from-strangers-einblick-1","\u003Cp>Dank der Unterstützung und Förderung des Ministeriums für Wissenschaft, Forschung und Kunst konnte der Künstler \u003Ca href=\"artists/von-silberland\" rel=\"noopener noreferrer\" target=\"_blank\">Von Silberland\u003C/a> seine Werkserie \"Never take Candy from strangers\" realisieren.\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>Von 24. September bis 09. Oktober zeigt ato die entstandenen Arbeiten in einem seiner Büros (Rheinhafen Karlsruhe). \u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>Vernissage: 24.09.2022 \u003C/p>\u003Cp>Weitere Öffnungszeiten: SOLO - Besichtigungen durch Anmeldung unter mail@ato.vision.\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>Eine größere Werkschau der Arbeiten ist im November in Berlin geplant.\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>Artist Statement:\u003C/p>\u003Cp>\"Durch die Förderung der Idee konnte ich im Laufe der letzten Monate eine tiefe Recherche-Phase eingehen, die vor Ort, in Karlsruhe stattgefunden hat. Es entstanden fast tausend verschiedene Zeichnungen und Skizzen, die ich nun präsentieren möchte.\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>Die Recherche und das Experimentieren standen im Mittelpunkt dieses Projektes. Ich habe mich zwei Monate lang sehr intensiv beschäftigt mit den technischen Möglichkeiten die man heute im digitalen Bereich hat. Für mich war es wichtig, neue Elemente zu entdecken, die ich in meine Arbeit integrieren kann. Bisher hatte ich vorwiegend mit dem Medium Fotografie gearbeitet und habe das Bedürfnis gehabt, meine Bildsprache weiterzuentwickeln, sie mit neuen Werkzeugen und Bildinhalten zu ergänzen. In diesem Fall ging es für mich darum auszuloten, auf welche Art und Weise sich digitale Skulptur, digitale Malerei und Zeichnung mit Fotografie kombinieren lassen – und zwar nicht nur technisch sondern auch künstlerisch. \u003C/p>\u003Cp>Letzten Endes war mein Ziel, dass die entstehenden Arbeiten inhaltlich und visuell funktionieren. Nach sehr vielen Experimenten (rund um Form- und Farbwirkung) fand ich eine Kombination aus Werkzeugen, die mir genau das gegeben hat, was ich am Anfang im Kopf hatte: Abstrakte Zeichnungen wurden zu digitalen Objekten, die dann durch Kombination von Farbe, Hintergrund und Simulierung von Kamera und Licht die Arbeit erst ermöglicht haben. \u003C/p>\u003Cp>Ich habe mich ganz bewusst dagegen entschieden, mit renderings zu Arbeiten. Stattdessen habe ich aus der Zeichnung ein Objekt gemacht, bei dem man die (analoge) Bewegung der Hand ganz klar nachvollziehen kann. Jede Bewegung der Hand wird durch die Extrusion der fertigen Zeichnung in die Tiefe gezogen und wird somit objekthaft und skulpturell.\u003C/p>\u003Cp>Die Simulierung der Kamera und des Lichtes hat mir erlaubt, das digitale Objekt so zu zeigen als wäre es eine reale Skulptur, und als hätte ich sie in einem Fotostudio fotografiert.\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>Inhaltlich und visuell war die Arbeit am Anfang mit Kindheitserinnerungen verbunden. Dazu verfasste ich den folgenden Text, der die Arbeit inhaltlich vervollständigt:\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>\"Why is everything here completely pointless? \u003C/p>\u003Cp>Candy doesn't have to have a point. That's why it's candy.\" (Charlie and the chocolate factory)\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>Während ich diesen Text schreibe, esse ich Edel-Nougat von Lindt. Der Geschmack erinnert mich an meine Kindheit. So genau und detailreich.\u003C/p>\u003Cp>Die Tatsache dass auch heute Muttertag in Argentinien ist, verstärkt die Genauigket dieser Erinnerungen. Mit meiner Mama und meinen Geschwistern sind wir mindestens zweimal in der Woche ins Kino gegangen. Immer Mittwochs und dann noch am Wochenende. Ins Kino zu gehen hieß, sich für einen Film zu entscheiden, Getränke und Popcorn zu kaufen und dann noch in den Candy-Shop zu gehen. Hier gab es alles Mögliche an Formen und Farben. Wie bei allen Kindern (alle die ich damals kannte) sind Formen und Farben bei candy zwei der Gründe, weshalb man sie kaufen will.\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>Genau diese Attraktion der Form und Farbe war zu Beginn der Arbeit mein Antrieb. Ich legte los und habe Formen und Farben gesucht, die für mich visuell wie auch haptisch funtionieren. Ich habe ganz frei gearbeitet, habe mich einige Male an Burtons Version des Filmes Charlie an the Chocolate Factory erinnert. \u003C/p>\u003Cp>Jeden Tag neue Formen und neue Farben. Einige funktionieren, einige nicht. Oft ist die Form gut, aber die Farbe passte nicht und dann funktioniert das gar nicht. Bis heute sind über 400 Arbeiten entstanden. Ich muss gestehen dass die Arbeit skulpturaler als erwartet geworden ist. \u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>Müssen alle auf einmal gezeigt werden, damit es funktioniert? Oder ist die Form an sich – groß, grotesk – wichtiger?\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>Gibt es Candy, die wirklich so aussehen? Ist das so wichtig?\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>Es ist nur Candy.\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>Oder nicht? \" \u003C/p>","2021-09-24","2021-10-09",{"id":242,"path":243,"aspectRatio":244,"mediaType":194,"filename":245},"61eeb5cce4ab0b594960fcd3","vC92iWeSR-candy-0075-a3.jpg","0.707","vC92iWeSR-candy-0075-a3",{"id":247,"title":248,"slug":249,"description":250,"vernissage":251,"finnissage":252,"poster":253},"62bc67231cf400b16f87992c","Always back, back on track – VON SILBERLAND","always-back-back-on-track-von-silberland","\u003Ch2>ALWAYS BACK, BACK ON TRACK\u003C/h2>\u003Ch3>das digitale Stillleben\u003C/h3>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>Ausstellung und Einblick in die neu entstandene Arbeit des Künstlers \u003Ca href=\"/artists/von-silberland\" rel=\"noopener noreferrer\">VON SILBERLAND\u003C/a> in Karlsruhe.\u003C/p>\u003Cp>Besichtigung und Bekanntgabe der Adresse nach Anmeldung per E-Mail unter quinte@ato.vision\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>________\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>Anlässlich der neu entstandenen Werkreihe \"Always back, back on track\" (2021-2022) zeigen ato und Norina Quinte die Arbeiten im Rahmen einer eigens konzipierten Rauminstallation von 15.04.2022 bis 20.Mai 2022. \u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>Ein Abend mit Von Silberland! \u003C/p>\u003Cp>Am Freitag den 13. Mai 2022, laden Kunstagentin Norina Quinte und Künstler Von Silberland zum Gespräch \"Analog-Digital?\" ein. Ziel des Abends ist es, sich über Möglichkeitsräume der digitalen Bildproduktion im Kontrast zu analogen Techniken auszutauschen und mögliche Schnittpunkte aufzuspüren. Um Anmeldung wird gebeten. \u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Ch4>Er selbst sagt zu seiner Arbeit: \u003C/h4>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>\"Die Bilder jener Arbeit bestehen aus mehreren Ebenen, die jeweils für sich, als einzelnes Objekt entstanden sind. \u003C/p>\u003Cp>Genauso wie ein Stillleben, das aus mehreren Elementen und Objekten besteht oder arrangiert wird, komponierte ich dann jedes Bild dieser Arbeit mit den verschiedenen Ebenen. Der Unterschied zum traditionellen Stillleben liegt darin, dass bei meiner Arbeit die abstrakte Ebene als tatsächlicher Gegenstand behandelt wird, was dazu führt, dass die Arbeit visuell strukturierter und formhafter wird.\u003C/p>\u003Cp>Trotz der starken Abstraktion findet man allerdings objekthafte Unterbrechungen, rhythmische Verläufe, subtile Linien und spontane Darstellungen von Form und Plastizität. \u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>Die Bedeutung des Digitalen als Kunstform und Medium beschäftigt mich schon seit einiger Zeit. Vor allem dann, wenn es um deren Verknüpfung mit „traditionelleren“ Arbeiten geht. Es ist nämlich klar, dass \"digital zu arbeiten\" im klassisch-künstlerischem Bereich (Malerei, Zeichnung, Skulptur) wenig praktiziert wird und (noch?) keine enorme Rolle spielt. Insbesondere wenn wir es z.B. mit Film, Sound und Videospiele vergleichen. \u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>Die Frage ist, wie eine Überführung von digitaler Bildgestaltung in eine \"klassischere künstlerische Gattung\" aussehen könnte. Welchen Einfluss hätte dies auf Papier, Leinwand, Skulptur? Bereichert digitales Werkzeug die Arbeit und wenn ja, auf welche Art und Weise? Oder kehre ich am Ende, zugunsten einer analogen Bildwirkung, zu meinem analogen Werkzeugkasten zurück? \u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>Was ich bereits heute sagen kann: Die Möglichkeit eine Idee - dank neuer Technologie-, schneller denn je zu skizzieren und digital weiter zu bearbeiten, ist schon jetzt sehr verlockend und begeistert mich... Welchen Einfluss dies allerdings auf die \"Bildqualität\" haben wird, das werden wir gemeinsam ausloten.\" VS\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>Die Arbeit wurde mit freundlicher Unterstützung des Ministeriums für Wissenschaft, Forschung und Kunst BW realisiert.\u003C/p>","2022-04-15","2022-05-20",{"id":254,"path":255,"aspectRatio":256,"mediaType":194,"filename":257},"62bc67111cf400b16f879923","S5h1QMOIL-test-103.jpg","0.7214285714285714","S5h1QMOIL-test-103",{"id":259,"title":260,"slug":261,"description":262,"vernissage":263,"finnissage":264,"poster":265},"6373cfe3cd676b7bd07f8be0","WERKstattPALAST","werkstattpalast","\u003Cp>Ein 10wöchiges Kunst- und Wissenschaftsfestvial im Rheinhafen von Karlsruhe. Erlebt 190 beitragende Gäste aus Kunst, Wissenschaft, Musik und Gesellschaft in einem fliegenden Gebäude aus Gerüsten. \u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>Alle Informationen, Rückblicke und Inhalte zum WERKstattPALAST findest du \u003Ca href=\"/werkstattpalast\" rel=\"noopener noreferrer\" target=\"_blank\">HIER\u003C/a>.\u003C/p>","2022-08-13","2022-10-15",{"id":266,"path":267,"aspectRatio":268,"mediaType":269,"filename":270},"6373cfdfcd676b7bd07f8bd7","rZC3Q4pEY-wsp-titel.png","1.391675560298826","image/png","rZC3Q4pEY-wsp-titel",{"id":272,"title":273,"slug":274,"description":275,"vernissage":276,"finnissage":277,"poster":278},"643817608036daa7b7e3bdf9","artini 2023","artini","\u003Cp>\u003Ca href=\"/exhibitions/artini-2025\" rel=\"noopener noreferrer\" target=\"_self\">Hier gehts zu Artini 2025!\u003C/a>\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Ch1>Auf einen Martini im artini\u003C/h1>\u003Ch3>\u003Cbr>\u003C/h3>\u003Cp>\u003Cstrong>Artini 2023\u003C/strong>\u003C/p>\u003Cp>03.05. - 06.05.\u003C/p>\u003Cp>Bahnhofplatz 8, Karlsruhe\u003C/p>\u003Cp>täglich 17.00 - 00.00\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>Parallel zur Kunstmesse art Karlsruhe eröffnen wir eine Bar in einem doppelstöckigen Leerstand. Bei uns treffen sich Galerist:innen, Künstler:innen, Gäste der art sowie die Karlsruher Stadtgesellschaft.\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>An geselligen Barabenden wollen wir Gespräche und Vernetzung anregen und damit Gedanken über Verände\u0002rungen und Kooperationen im Kunstsystem anstoßen. Es soll ein Gefühl von „so könnte es sein“ geschaffen werden. Dazu können Kunstwerke von \u003Ca href=\"/artists/benjamin-breitkopf\" rel=\"noopener noreferrer\" target=\"_blank\">Benjamin Breitkopf\u003C/a>, \u003Ca href=\"/artists/hannah-cooke\" rel=\"noopener noreferrer\" target=\"_blank\">Hannah Cooke\u003C/a>, \u003Ca href=\"/artists/sebastian-heck\" rel=\"noopener noreferrer\" target=\"_blank\">Sebastian Heck\u003C/a>, \u003Ca href=\"/artists/kilian-kretschmer\" rel=\"noopener noreferrer\" target=\"_blank\">Kilian Kretschmer\u003C/a>, \u003Ca href=\"/artists/nemanja-sarbajic\" rel=\"noopener noreferrer\" target=\"_blank\">Nemanja Sarbajic\u003C/a>, \u003Ca href=\"/artists/von-silberland\" rel=\"noopener noreferrer\" target=\"_blank\">Von Silberland\u003C/a> und \u003Ca href=\"/artists/sibylle-wagner\" rel=\"noopener noreferrer\" target=\"_blank\">Sibylle Wagner\u003C/a> entdeckt werden.\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>Mit dem \u003Ca href=\"https://electriceelcafe.de/\" rel=\"noopener noreferrer\" target=\"_blank\">Electric Eel\u003C/a> als Barhost wird eine besondere Atmosphäre geschaffen, die Gemütlichkeit und hochprozentige Qualität verspricht – ein Ort, der besonderen \u003Cem>art\u003C/em>. \u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>\u003Ca href=\"https://vimeo.com/manage/videos/842133615\" rel=\"noopener noreferrer\" target=\"_blank\" style=\"background-color: rgb(0, 0, 0);\">Zum Video\u003C/a> (Film und Schnitt: Sebastian Heck)\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Ch3>Programm: \u003C/h3>\u003Cp>\u003Cbr>\u003C/p>\u003Ch4>Mi 03.05.\u003C/h4>\u003Cp>ab 19.00 Uhr Sektempfang ausgerichtet von \u003Ca href=\"https://von-buhl.de/\" rel=\"noopener noreferrer\" target=\"_blank\">Reichsrat von Buhl\u003C/a>\u003C/p>\u003Cp>20.00 Uhr DJ Fourmi\u003C/p>\u003Cp>22.00 Uhr DJ LowNat\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Ch4>Do 04.05.\u003C/h4>\u003Cp>ab 19.00 Uhr Kunstmarkt BINGO mit Stephanie von Rothe und Emma-Lilo de Keller\u003C/p>\u003Cp>20.00 Uhr Johannes Fleck (in Kollaboration mit Schweppes)\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Ch4>Fr 05.05.\u003C/h4>\u003Cp>ab 19.00 Uhr Performance \"Automation\" von \u003Ca href=\"/artists/kilian-kretschmer\" rel=\"noopener noreferrer\" target=\"_blank\">Kilian Kretschmer\u003C/a>\u003C/p>\u003Cp>20.00 Uhr Enkidu\u003C/p>\u003Cp>22.00 Uhr \"The Hour\" Sebastian Heck (in Kollaboration mit Hendrick's Gin)\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Ch4>Sa 06.05.\u003C/h4>\u003Cp>18.00 Uhr Diskussion mit \u003Ca href=\"/artists/hannah-cooke\" rel=\"noopener noreferrer\" target=\"_blank\">Hannah Cooke\u003C/a> über ihre ausgestellte Videoarbeit „Bruised Egos and Small Heads“, die sich mit den mächtigsten Akteur:innen der Kunstwelt ausei\u0002nandersetzt, moderiert von \u003Ca href=\"/crew/norina-quinte\" rel=\"noopener noreferrer\" target=\"_blank\">Norina Quinte\u003C/a>\u003C/p>\u003Cp>20.00 Uhr Ubbo Gronewald & Super Venus\u003C/p>\u003Cp>22.00 Uhr DJ Deichgraf\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>\u003Ca href=\"https://www.facebook.com/events/901025450957336\" rel=\"noopener noreferrer\" target=\"_blank\">Zum Facebook Event\u003C/a>\u003C/p>","2023-05-03","2023-05-06",{"id":279,"path":280,"aspectRatio":281,"mediaType":269,"filename":282},"644bf85e9daf2eea4877aa5b","lvZ65dkeV-artini-homepage.png","1.911123853211009","lvZ65dkeV-artini-homepage",{"id":284,"title":285,"slug":286,"description":287,"vernissage":288,"finnissage":289,"poster":290},"65c35234a969f75259537b5b","artini 2024","artini-bar","\u003Ch2>Auf einen Martini im artini\u003C/h2>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>\u003Cstrong>artini 2024\u003C/strong>\u003C/p>\u003Cp>02/21 – 02/24\u003C/p>\u003Cp>Kaiserstraße 120, 76133 Karlsruhe\u003C/p>\u003Cp>täglich 17 - 24 Uhr\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>Auch in diesem Jahr möchten wir euch parallel zur art Karlsruhe in der artini Bar willkommen heißen. Wir eröffnen die temporäre Kunstbar zwischen dem 21. und 24. Februrar 2024 in einem ehemaligen dreistöckigen Laden in der Fußgängerzone in der Karlsruher Innenstadt.\u003C/p>\u003Cp>Es wird ein Ort der Vernetzung, an dem sich Galerist:innen, Messebesucher:innen und auch ganz ausdrücklich die Karlsruher Stadtgesellschaft trifft und über Veränderungen im Kunstsystem in Austausch kommt. Eine Bar mit gemütlicher Atmosphäre, guter Kunst und guten Drinks ist dafür der optimale Ort!\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>Dazu können Kunstwerke von Uli Aigner, Gin Bahc, Alex Besta, Tim Bohlender, Daniel Bonaudo Ewinger, Danielle Dell‘ Eva, Maike Denker, Linn Fischer, Jonas Fleckenstein, Kristiane Kegelmann, Axel Philipp, Natascha Schoenaich, Von Silberland und Sibylle Wagner entdeckt werden. \u003C/p>\u003Cp>Kuratiert wird die Ausstellung von \u003Ca href=\"/curator/sabine-adler\" rel=\"noopener noreferrer\" target=\"_blank\">Sabine Adler\u003C/a> und \u003Ca href=\"/artists/tim-bohlender\" rel=\"noopener noreferrer\" target=\"_blank\">Tim Bohlender\u003C/a>.\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>Barhost: \u003Ca href=\"https://electriceelcafe.de/\" rel=\"noopener noreferrer\" target=\"_blank\">Electric Eel\u003C/a> \u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Ch3>Programm: \u003C/h3>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>Mi 21.02\u003C/p>\u003Cp>Sektempfang ausgerichtet von Reichsrat von Buhl\u003C/p>\u003Cp>21 Uhr – DJ-Set von Johannes Fleck\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>Do 22.02.\u003C/p>\u003Cp>19 Uhr – Kunstwelt BINGO mit Stephanie von Rothe und Emma-Lilo de Keller\u003C/p>\u003Cp>21 Uhr – DJ-Set von Ubbo Gronewold\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>Fr 23.02.\u003C/p>\u003Cp>19 Uhr – Künstlerinnentalk  \"It doesn't feed the beast\" mit \u003Ca href=\"/artists/hannah-cooke\" rel=\"noopener noreferrer\" target=\"_blank\">Hannah Cooke\u003C/a> Diskussion über füttern und gefüttert werden im Kunstbetrieb und damit einhergehenden beruflichen Herausforderungen, moderiert von \u003Ca href=\"/crew/norina-quinte\" rel=\"noopener noreferrer\" target=\"_blank\">Norina Quinte\u003C/a>\u003C/p>\u003Cp>21 Uhr – DJ-Set von Sebastian Heck\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>Sa 24.02.\u003C/p>\u003Cp>18 Uhr – Performance \"dog politics\" von Judith Milz\u003C/p>\u003Cp>19 Uhr – DJ-Set \"collected von Raumszene\"\u003C/p>\u003Cp>22 Uhr – DJ-Set Smartini\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>Weitere Kooperationspartner: \u003Ca href=\"https://www.art-karlsruhe.de/de/\" rel=\"noopener noreferrer\" target=\"_blank\">art Karlsruhe\u003C/a>, \u003Ca href=\"https://raumszene.de/\" rel=\"noopener noreferrer\" target=\"_blank\">Raumszene\u003C/a>, \u003Ca href=\"https://www.karlsruhe.de/stadt-rathaus/verwaltung-stadtpolitik/aemter-dienststellen/detailseite/20-kulturamt\" rel=\"noopener noreferrer\" target=\"_blank\">Kulturbüro Karlsruhe\u003C/a>\u003C/p>\u003Cp>\u003Cbr>\u003C/p>\u003Cp>Sponsoren: \u003Ca href=\"https://www.kazenmaier.de/\" rel=\"noopener noreferrer\" target=\"_blank\">Kazenmaier Leasing GmbH\u003C/a>, \u003Ca href=\"https://von-buhl.de/\" rel=\"noopener noreferrer\" target=\"_blank\">Reichsrat von Buhl\u003C/a>, \u003Ca href=\"https://www.schweppes.de/\" rel=\"noopener noreferrer\" target=\"_blank\">Schweppes\u003C/a>, \u003Ca href=\"https://global.hendricksgin.com/de/\" rel=\"noopener noreferrer\" target=\"_blank\">Hendrick's Gin\u003C/a>, \u003Ca href=\"https://pepin.vin/\" rel=\"noopener noreferrer\" target=\"_blank\">Pépin x Vivants\u003C/a>, \u003Ca href=\"https://www.campari.com/de-de/\" rel=\"noopener noreferrer\" target=\"_blank\">Campari\u003C/a>\u003C/p>","2024-02-21","2024-02-24",{"id":291,"path":292,"aspectRatio":293,"mediaType":194,"filename":294},"65c34697a969f752595356b8","nhSNiClat-artini2024-homepagebanner.jpg","1.9120458891013383","nhSNiClat-artini2024-homepagebanner",[],[],[298,314,323,332,345,354,364,373,382,392,401,410,419,426,437,446,455,465,474,483,493,501,510,519,528,537,549,557,566,574,583,591,602,610,618,626,634,642,650,658,666,674,682,690,698,706,714,725,733,741,755,769,777,785,793,801,809,818,826,834,842,850,858,870,878,886,894,902,910],{"id":299,"title":300,"slug":301,"price":302,"desc":151,"year":303,"meta":304,"isArtefact":9,"featuredImage":308},"5ed782288ad861400e3972ea","A bad piece of art is better than a bad piece of cake","vs-61-4ku6tse2i","200","2020",{"dimension":305,"material":306,"technology":307},"30 x 40 cm","Digital print 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